Slumdogs to Skylarks

At last, many of the Indians are on the first page of most of the world's newspapers, and this time, not for something disgusting or horrifying, but noble and beautiful. Eight Oscar awards to Slumdog Millionaire has shaken the nation from its slumber, to reveal to the world that India is more than a land of snake-charmers and of hunger and thirst, where industry has not grown... The world has known India for all the reasons what it should not have been. Living in Philippines, for instance, Indians are looked down upon as people who are shrewd (thanks to the Gujaratis, who have a flourishing money-lending business), and know how to extract the most from the locals, and for Pinays India does not exist, all they know is Mumbai, what I used to call 'national ignorance'.

The picture is somewhat different in Europe; since there is a huge African population, often the Indians are grouped together with the Black, partly due to affinity due to color. For the West, the dark or brown skin is not something detestable, but something that need to be kept at a distance. Can eight Oscar awards change the most often distorted view of the great nation of cultures and religions in the eyes of the world fraternity? This is one question that I keep asking, even as the debate goes on if the movie is an Indian or a British one! Whether we like it or not, India has been put on the Oscar map, and it is there to stay, even if the future years do not find adequate talent to match the present generation!

The story of the Slumdog may come as a surprise to other nations, but to the Indians this movie has exactly the same kind of formula, with which most of the Indian films are made. The triumph of the underdog is one theme that is eternal in this land, because that give relief to the audience, even if it is only momentary, and takes them away from the humdrum reality that most of our men and women are forced to live. But the story is something that is too good to be true, and I only hope that the dalits and the marginalised tribals don't make futile efforts to reach the state of Jamaal in the film. Reasonable risks can bring in good results, and this film is a proof to it.

One of the most memorable moments at the Kodak Studio in California was the presence of the tiny-tots who made an integral part of the film; the early Jamaal and Salim and Latika are too good to be true, and they probably don't realize that they are part of history, and after a decade or two, they can share with the next generations that India is no less than any other nation in the world. We may be believing strongly in age-old customs and traditions, we may be worshipping cows, we may deny women their due religious rights and privileges, we may still believe in ploughing our lands with bulls, and worship trees and shrubs, like Tulsi... we may be superstitious, but we have a civilization which can show the path to the world in the years to come.

I do not want to float in the clouds, thinking and owning the success of one movie, which tells an imaginary story, well told and portrayed though; reality is what we need to believe in, and embrace whole-heartedly. I would like to pause for a while and own the land that I am born in, and accept her as she is, without attempting to force her change according to my whims and fancies. I would like to embrace her as A. R. Rahman attributed his success to his mother, and attribute all that I am and capable of to what this wonderful land of mine has given me. I am part of the great civilization, I am part and parcel of this great nation of varied cultures and religions, and it is only proper that I salute her saying "Jai ho" (hail)!